Comment

Samuel Corum/Getty
Europe needs its own Elon Musk
When Robert McNamara moved from running Ford to running the Pentagon at the height of the Cold War, says Janan Ganesh in the FT, it was such a âtragic failureâ that his name is still a byword for the âmisapplication of cold reason to the messiness of public lifeâ. Will Elon Musk, in his quest to ârationalise the stateâ, fare much better? Well, itâs Europe that must hope so, not America. A continent âspent of ideas and confidenceâ is badly in need of a model of reform to emulate. Whatever problems there are with the US government havenât kept it from stunning economic success. Meanwhile Europeâs economies are stuck in a âcircular trapâ of high taxes and low growth. If there is a way out, it is a âredesign of the state from first principlesâ.
Recent history suggests Americaâs example is everything. The turn to industrial strategy under Trump and Biden was imitated in Europe at both national and EU level, and so was the âClintonian mix of open markets and mild redistributionâ that preceded it. This âcringing obsession with Americaâ â most acute among the British elite â is normally a bad thing. On the left it led to the importing of critical race theory and other silly fads (âif only there were tariffs on ideasâ); on the right, it created the delusion that America would do the post-Brexit UK a favour on trade out of some âancestral attachmentâ. But if Musk can work his improbable magic on Washington, that ought to âshock and embarrassâ the British political class, and the rest of the European elite, into badly needed change. As he sets out to boost an âalready rampantâ economy, Europeans should curse him as âthe right man in entirely the wrong placeâ.
Property

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Heroes and villains

Kate Green/Getty
Hero
Taylor Swift, for making sure none of her adoring fans miss out by selling âno viewâ tickets to her final Eras tour shows in Vancouver next month. The $16 seats are behind the stage in BC Place stadium, meaning fans will be able to see neither Taylor herself nor the big screens of her performance. The tickets are already being resold for more than $1,000.
Villain
The Sly Old Fox, a pub in Birmingham which is being asked to change its name because it is âderogatoryâ, âinaccurateâ and âunfairâ to foxes. The animal rights group Peta says the word âslyâ should be replaced with âcleverâ, to reflect societyâs âever-evolving empathy for animalsâ.
Hero
Philippines vice president Sara Duterte, who says she has hired a hitman to take out the countryâs president, the presidentâs wife and the speaker of the house, in the event that she is assassinated. Duterte announced the innovative security measure amid worsening relations with President Ferdinand âBong Bongâ Marcos Jr, saying the threat was âno jokeâ.
Villain
Deepinder Goyal, CEO of Indian food delivery firm Zomato, who advertised a chief of staff job for which the successful applicant would receive no pay for the first year and would instead have to donate $23,700 to charity. Goyal said the role would provide â10x more learningsâ than a management class, before claiming it was all a stunt to âfilterâ out uncommitted candidates. He received more than 18,000 applications.
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Life

Louis Monier/Gamma-Rapho/Getty
The woman of substance who sold 91 million books
Barbara Taylor Bradford lived in a âheavily perfumed whirlâ of Chanel blouses and pricey jewellery, says Claire Allfree in The Independent. The author, who died this week aged 91, published 40 books and sold 91 million copies, which for a time made her Britainâs second richest woman after the late Queen. She had a prodigious work-rate: she rose at 6.30am every morning to write for 10 hours straight, with Saturday afternoons her only time off. So itâs no wonder the first draft of her 1979 debut A Woman of Substance â about a servant girl who builds a vast business empire â ran to more than 1,500 pages and weighed a whopping 7.5kg. It went on to become one of the bestselling novels of all time, with the 1984 TV adaptation, starring Jenny Seagrove and Liam Neeson, still Channel 4âs most-watched series ever.
Born in Leeds in 1933 to working-class parents, she followed the rags-to-riches trajectory of most of her strong-minded female protagonists, once saying âthere was no way I was going to end up slaving in some textile factory, married off and perpetually pregnantâ. Instead, by 18 she was editor of the womenâs pages of the Yorkshire Evening Post, and by 20 a columnist for the Evening Standard. Never photographed without make-up and an âimpeccableâ blow-dry, she only ever stayed in The Dorchester during her visits to London and named one of her bichon frisĂ© dogs Chammie, short for Champagne. One interviewer described her as âa nicer Joan Collinsâ â who, as it happens, was an old friend. But among all the âold-world luxuryâ, she never dropped her northern accent, and once said: âItâs a good thing Iâm a down-to-earth girl from Yorkshire with my feet on the ground, otherwise it might have gone to my head.â
What to watch

Mathieu Kassovitz and Zineb Triki in Le Bureau
Le Bureau
The Agency, a George Clooney-produced remake of French spy thriller Le Bureau, comes out on Paramount+ today, with an all-star cast including Michael Fassbender, Richard Gere and Jeffrey Wright. The reviews are mixed, but what better opportunity to go back, if you havenât, and watch the spectacularly gripping original, in which an undercover agent comes in from the cold but finds it impossible to let go of his false identity. Le Figaro called it the greatest series ever made in France, and I can see why, says Alexander Larman in The Daily Telegraph. Itâs a rare treat for âall but the most subtitles-averseâ, offering a mixture of âadrenaline-pumping thrills and genuinely head-scratching moral dilemmasâ. All five series of Le Bureau are on Paramount+.
What to listen to

Elton John and his husband David Furnish in 1996. Rick Diamond/Getty
Ruthieâs Table 4
I had my first date with Elton John just a day after meeting him, says David Furnish on Ruthieâs Table 4. He invited me round to his London house for a Chinese takeaway, and when I arrived, there were four giant boxes of food from Mr Chowâs on the kitchen counter. âWho else is coming?â I asked. Elton told me that because he didnât know what I liked, âhe ordered the entire menuâ. 40 minutes.
Weather

Quoted
âWith opera, you put money in and get music out. With musicals, you put music in and get money out.â
Journalist Helen Lewis
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