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What is it that makes England so special?
🏰 Mega mansion | 🎣 New world records | 🤖 Naughty Will Smith
Long reads shortened

England: defined by a sense of place. The Harvesters by George Vicat Cole (1881)
What is it that makes England so special?
Many feel that the England they knew and loved is “going, or is gone”, says Robert Tombs in The Daily Telegraph. But England has, over the many centuries of its existence, been in “continual flux”. The Norman conquest was a kind of apocalypse, involving the “total seizure of all land” and the systematic destruction of cultural heritage and language. Yet it is Norman England that we inherited, not its defeated Anglo-Saxon predecessor. In the 14th century the Black Death wiped out half the population, but eventually left the survivors better off, making space for a new English culture, “pioneered by Chaucer” and perfected by Shakespeare. Then came the Wars of the Roses, the cataclysm of the Reformation and “two centuries of merciless religious conflict”. But after that, to general astonishment, in the 18th century, modernity: “liberty, science, politeness, commerce, empire, even happiness”. The American Revolution brought back despair, but soon after the Industrial Revolution brought with it Victorian splendour. The world wars devastated this Victorian world, but cleared the way for the cultural revolution of the 1960s.
What unites these radically different phases of English life is a sense of “place and belonging”, not anything particularly to do with ethnicity or culture. Oliver Cromwell and Charles I would both have been “astounded and horrified” by the drinking, sexual libertinism and intellectual freedom of George III’s England. Samuel Johnson would have found the “noisy, teeming, smoke-filled England of Dickens” a nightmare. William Gladstone could not have comprehended Tony Blair’s Britain, with its “religious indifference, lack of deference, permissive morality and intellectual frivolity”. Their different Englands, with their characteristic beliefs, manners, standards of civility and political structures, had all evaporated. “Ours will evaporate too, and we, like our forebears, will lament it.” But that’s England: “always old, and always new”.
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Property
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Heroes and villains

YouTube/@Willsmith
Villain
Will Smith, who appears to have used AI to edit the crowds at his shows in a video on social media. The actor and hip-hop star is currently on tour in the UK, and posted a selection of clips from venues including Scarborough, London and Wolverhampton. But fans say the video is riddled with obvious deepfakes (identifiable from distorted faces and odd-looking hands with misplaced fingers), including an ostensibly fan-made sign that reads “You Can Make It [one of Smith’s songs] helped me survive cancer. Thx Will”, which experts say has all the hallmarks of being entirely made up.
Villain
Keir Starmer, who recently boasted – quite wrongly – that his government had made it “cheaper” to travel by bus. “The £3 bus fare cap,” the prime minister declared, “has already cut costs for families.” It’s a curious claim, says Michael Deacon in The Daily Telegraph. Under the Conservative government, the bus fare cap was £2, rising to £3 at the start of this year. “I’m no Alan Turing”, but I’m sure when I was at school “three was generally considered to be a larger number than two”. Unless Starmer is talking about families who can no longer afford the bus, and cannot reach the shops on foot, and so buy nothing. “Their costs have indeed been cut.”
Cheers, Charlie
Applications to Cirencester and other agricultural colleges are booming, apparently inspired by land manager Charlie Ireland (above), the ever-affable bearer of bad news in Clarkson’s Farm.
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