In the headlines
Keir Starmer says Britain âsimply isnât workingâ, as the government unveils what it claims are the âbiggest employment reforms in a generationâ. The plans will see job centres overhauled and all 18 to 21-year-olds lose their unemployment benefits if they refuse to take up jobs or training opportunities, but they fail to address the post-pandemic rise in sickness benefits. Donald Trump has vowed to impose 25% tariffs on goods from Mexico and Canada unless they reduce the flow of illegal migrants and drugs into the US. The president-elect also said that if Beijing doesnât curb exports of fentanyl he would slap an additional 10% tariff on top of whatever levy he puts on Chinese goods. The Savoy hotel is auctioning off much of its furniture and art ahead of a major renovation. More than 3,000 lots are listed, including furniture by Italian designer Francesco Molon and pictures of Winston Churchill, Katharine Hepburn and Charlie Chaplin. All lots started at ÂŁ5; put your bid in here.
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Alexandria Ocasio-Cortez at the 2024 Democratic Party Conference. Bill Clark/Getty
Was wokeness just a fad?
After a revolution, symbols of the old regime are âyanked down with unsentimental hasteâ, says James Marriott in The Times. And lo, the progressive congresswoman Alexandria Ocasio-Cortez has removed the pronouns âshe/herâ from her profile on X. Last weekâs Transgender Day of Remembrance went unmarked by most British institutions for the first time in years. Nothing from the BBC, the Labour Party âor even Stonewallâ. Not long ago the Bank of England was floodlit in commemorative pink, white and blue, and vigils were held at universities. This time, the only news from the trans rights battle is that Warner Bros has defended JK Rowling â a position that would quite recently have counted as a âdeclaration of corporate civil warâ with young arts graduates on its staff.
It would be premature to declare the woke movement âoverâ, but itâs remarkable how quickly passions fade: a sober statistical analysis in The Economist finds that âwoke opinions and practices are on the declineâ. Those of us who have long objected to the âabsurdities and intolerancesâ of 21st-century political correctness may be tempted to claim an intellectual victory. But walking past the âstarkly unilluminatedâ Bank of England one is forced to wonder: âHow much was anyone really invested in this stuff in the first place?â Obviously for a small group of rabid online activists, such battles are âconsumingly importantâ, but it seems likely that most people just nodded along with radical new ideas such as âsilence is violenceâ, âwhite privilegeâ and âdeplatformingâ without really thinking about them. Itâs reassuring in a way to know that such apparent fits of ideological passion are so short-lived, but itâs also disturbing. If blatantly illogical ideas can take hold this easily, whatâs next?
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Art

British artist Alex Chinneck brings âsurrealism into the public realmâ with his sculptures of distorted street furniture, says Dezeen. His oeuvre includes First Kiss at Last Light, a sculpture of two intertwined lampposts; Wring Ring, a twisted up phone box cast in bronze; and Alphabetti Spaghetti, an inversion of the famous red postbox. See more here.
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